Description:
This course examines the history, aesthetics, theory and practice of experimental/avant-garde film and video, and may be organized around specific bodies of work, or theoretical issues such as the politics of representation, pure cinema, poetic structures, reflexivity, or documentary representation. Questions of medium specificity, modernism/postmodernism, performance art and theory, exhibition, distribution, canonization and criticism are addressed.
Component(s):
Seminar
Notes:
- Students who have received credit for a topic in FMST 650 may not take that same topic under FMST 850 for credit.